Publications

Domus is a work-book gathering a series of poetic writings called propositions, which are short reflections related to the moments of artistic practice in the inhabited solitude of the house and in the meetings with participants of the project.

The book La Fatigue culturelle reports on the Quebec visual arts scene through various projects carried out by artist Nicolas Rivard.

Mirrors, Metamorphosis and Reverse Time is an encounter between a visual artist and two art critics, longtime friends, who are used to writing with four hands.

Accumulations presents the work of artist Philippe Allard.

Géographies Périphériques allows the research of these artists to spread throughout Quebec by focusing on mobility and the sharing of expertise, by providing technical support and by disseminating their work.

In this essay, Cynthia Fecteau explores the works of the six artists participating in the ongoing Transfert project, led by the Centre SAGAMIE a collective residency and exhibitions.

Two years after the inauguration of the poem chairs in the garden of the Palais-Royal, 70 authors from all over the world are writing in this book of images, comments, thoughts, poems and memories around this unifying project.

<em>avec du l'autre</em> traces the story of encounters in which she spends short segments of time with strangers under different conditions, Sylvie Cotton creates an intimate storyline in which one might detect a touch of socially engaged art.

Made up of essays, a lexicon, and testimonials from some thirty contemporary artists in performance art, Le 7e Sens thinks the performative in, with and through language.

An archaeology of drawing presents the work of Renée Lavaillante, a Quebec artist who dedicates herself exclusively to drawing.

The pataphysics of space presents Jacinthe Lessard-L's far-fetched and poetic project accompanied by a very, very long sentence by artist and author Marc-Antoine K. Phaneuf.

Memory of the Earth, Sensible Chaos presents the work of Christopher Varady-Szabo, an artist known for his sculptures and installations inspired by primary architecture and traditional building techniques.

Prendre le nord is the project of Anne-Marie Ouellet and Thomas Sinou. In the winter of 2014, they lived for several days in a cabin on the frozen Lac Saint-Jean. He records the sounds. She writes.

<em>100 jours avec le lin</em> is the result of a program of visual art work developed by artist Nathalie Lavoie and carried out as part of the 6th International Linen Biennial in Portneuf.

Performances, Manoeuvres and Other Hypotheses for Disappearing traces the evolution of Alain-Martin Richard's thinking and practice.