Publications

The world as it appears to us in its daily unfolding takes on a diversity of forms and modalities.

Inspired by ecofeminism, Véronique Doucet's artistic practice reveals the power relations that shape bodies and territories.

Création Duo Diffusion is a project designed to support creation and dissemination while fostering collaboration between centers.

This publication features images from the Dans l'ombre de l'artifice exhibition presented at Centre SAGAMIE during the height of the COVID-19 pandemic. Author Pierre-Marc Asselin writes a text in which fiction and reality make us lose our bearings.

This two-book set offers a poetic and theoretical journey through the artist's approach, the Quebec landscape and the materiality of the photographic image.

This long-term project began in November 2014. With artist Ed Pien and 13 elders from the community of San Agustín, Cuba. They explore the notion of time, and the impact of time on the lives of each of them.

Outcome of a socially engaged process, this publication brings together several texts and reflections on the foundations of engaged art.

This publication reports on artist Yanik Potvin's research into the practice of ceramics.

Since 2012, Dominique Paul has taken us on a journey from New York to Surinam, from performance to the studio, and has humorously examined our increasingly unequal relationship with the living.

Anthropocene/Capitalocene traces the evolution of Oli Sorenson's work through a body of digital works produced between 2019 and 2022, inaugurating a series of exhibitions in Quebec during the same period.

Presente: Pasado/Futuro is a collection of portraits and interviews conducted by artist Ed Pien with senior women in Cuba over an undetermined period of time.

CRÉER is a cross-residency program between Centre SAGAMIE and five artist-run centres located in different regions of Quebec, the Maritimes and Ontario.

This photographic book is built around the act of choosing. Choisir (to choose), a verb often associated with a decision that makes all other possibilities disappear.

I am a digital artist (Julien Boily). This statement, heard from a painter, is dumbfounding. Spontaneously, one would think that painting is light years away from digital art.

This book is about the paths that lead me to desire an "off-centre" identity that is always looking for somewhere else.