Publications

Prendre le nord is the project of Anne-Marie Ouellet and Thomas Sinou. In the winter of 2014, they lived for several days in a cabin on the frozen Lac Saint-Jean. He records the sounds. She writes.

<em>100 jours avec le lin</em> is the result of a program of visual art work developed by artist Nathalie Lavoie and carried out as part of the 6th International Linen Biennial in Portneuf.

Performances, Manoeuvres and Other Hypotheses for Disappearing traces the evolution of Alain-Martin Richard's thinking and practice.

In this creative book, we discover images, writings and sounds (on CD).

This publication documents the Gone with the Wind project, an essay on artistic intervention in a rural context, and presents the collective's journey since their inception.

This publication documents the collective exhibition Auto/Pathographies and provides a critical framework for addressing identity questionings specific to the experience of illness.

Mexico df (details) presents the work of Catherine Bodmer developed following two research residencies in Mexico City in 2010 and 2011.

This monograph by artist Maryse Goudreau offers a journey covering three years of production in which, in the course of her research, the docks have become an emblematic testing ground.

This book presents the monumental work of the artists' collective Cédule 40.

Substances visuelles is elaborated around the photographic work of Pascal Dufaux realized with his videokinetic sculptures since 2005.

In the fall of 2010, during a creative residency at the Caravanserai artist-run centre, Magali Baribeau-Marchand collected a multitude of confidences on the promenade along the St. Lawrence River in Rimouski.

The Urban Frequencies reveal themselves from the sounds of the inaudible, focusing on a new hybrid culture of video, photography and electroacoustics.

With the project <em>Diagnostic 201100006131</em>, Sonia Boudreau had fun deconstructing a simple radiological report in order to demonstrate a certain "dramatic absurdity" of its language.

This publication presents the Drive End photography series, which brings together elements from western culture, road movies and disaster films.

Coming Through the Fog explores the common currents running through these artists' work, and more specifically how similar impulses are translated formally, emotionally and conceptually through the medium of photography.