
In this creative book, we discover images, writings and sounds (on CD).
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This publication documents the Gone with the Wind project, an essay on artistic intervention in a rural context, and presents the collective's journey since their inception.
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This publication documents the collective exhibition Auto/Pathographies and provides a critical framework for addressing identity questionings specific to the experience of illness.
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Mexico df (details) presents the work of Catherine Bodmer developed following two research residencies in Mexico City in 2010 and 2011.
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Substances visuelles is elaborated around the photographic work of Pascal Dufaux realized with his videokinetic sculptures since 2005.
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In the fall of 2010, during a creative residency at the Caravanserai artist-run centre, Magali Baribeau-Marchand collected a multitude of confidences on the promenade along the St. Lawrence River in Rimouski.
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The Urban Frequencies reveal themselves from the sounds of the inaudible, focusing on a new hybrid culture of video, photography and electroacoustics.
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With the project <em>Diagnostic 201100006131</em>, Sonia Boudreau had fun deconstructing a simple radiological report in order to demonstrate a certain "dramatic absurdity" of its language.
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Coming Through the Fog explores the common currents running through these artists' work, and more specifically how similar impulses are translated formally, emotionally and conceptually through the medium of photography.
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Mues et Entrelacs covers the most recent ten years of the artist Giorgia Volpe's career.
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In this book, Jean-Jacques Ringuette presents a photographic series in which he himself interprets, under the guise of a clownish character, multiple sketches that are as caustic as they are comic.
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This book presents Karen Spencer's most recent endeavour, the Dream Listener / Porteur de rêves project which took place in Montreal.
Read moreThe editorial program of Centre SAGAMIE offers artists and authors an open and independent space for artistic and literary creation that uses the book as both a vehicle for art and as an art object.
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