Halfway between a monograph and an artist's book, the publication Le fil d’Ariane follows an intervention by artist Aude Moreau, which began within the walls of Galerie la Centrale in Montreal and ended somewhere between Venice and Heraklion. Through the photographic and textual traces documenting this double journey, the book closes the loop on the entire process by publishing the unpublished version of the journey. It is accompanied by a text by Bernard Schütze which situates the entire process of disappearance at the heart of the artist's action.
Le fil d’Ariane
Aude Moreau
Aude Moreau lives and works in Montreal. She has presented her projects in Quebec, France, the United States and Luxembourg. Her most recent solo exhibitions were held at the Plein sud exhibition centre (2010), the Casino Luxembourg forum d'art contemporain (2009) and the Darling Foundry (2008). She has also been part of the programming of the group exhibitions Art souterrain - Nuit blanche de Montréal (2010), La Biennale Nationale de Sculpture Contemporaine de Trois-Rivières (2010), and Orange événement d'art actuel de Saint-Hyacinthe (2006). His works are part of the Collection Prêt d'œuvres d'art of the Musée national des Beaux-arts du Québec (2008 acquisition) and the Canada Art Bank (2009 acquisition). She has received support on several occasions from the Conseil des Arts et des Lettres du Québec and the Canada Council for the Arts. Critical reviews of her practice have been published in the magazines Esse, Espace sculpture and Art le Sabord.
